Author Archives: melissa wong

Parting with Posiel

Well… this is it! My last process post for PUB 101. I’ve learned so much about blogging, marketability, and the online self in this course, and hopefully it shows through melatonin gone missing.

Reflecting On The Process

Despite this course only being 13 weeks long, it feels like I’ve grown exponentially over the semester, probably because posting weekly has forced me to consistently critique and improve my site. It feels like decades ago when I was feeling frustrated trying to set up my site, which is mostly documented in my second process post From Pinterest to WordPress. At that time, I was completely uneducated about what it really meant to own a website. So when I slowly started to pick up on blog design, SEO, user experience, accessibility, readability, typeface, analytics, and everything else I’ve touched on in my process posts thus far, I was a little shocked that there was so much that went into the websites and media we interact with every single day. Even if at some point in the future I forget what the term “personal cyberinfrastructure” means (although highly unlikely), I will always perceive published media through a different lens. A more critical one, but also one with more respect for the effort that goes into actualizing every single detail we take for granted.

My blog feels a lot like a gallery or a scrapbook of the beginning of my publishing journey, and it always feels extremely rewarding and fulfilling to scroll through and see how far it has come. I’ve grown to be very fond of blogging, and I am quite proud of the site I’ve created. I mean, I made and own a whole website… that’s pretty cool. melatonin gone missing truly feels like my own digital garden, and I’m not quite ready to let it die!

Looking Forward

That being said, I’m excited to continue blogging and sharing my most unimportant thoughts here. I thought of a few ideas of ways to expand the site in my post Melatonin’s Many Channels, which are always paths I could look into pursuing (especially social media), but before going any further with expansion and development, it is important to establish community guidelines. An easy and effective way to ensure user safety and my own safety is to add a page outlining what users can expect and what they should abide by on my blog. Some of the things I would likely include in my community guidelines are:

  • Be respectful and kind
  • No spam or hateful comments
  • Respect people’s privacy
  • No personal promotion

By having these guidelines made explicit, it should hopefully prevent any uncourteous or unwanted behaviour from my blog, which is meant to be a safe and cozy space for all. From my list, it is clear that most of these guidelines are related to blog comments and social interactions. In the modern age of social media, the effects of online hate have proven to be a) very real, and b) severely damaging. As discussed in the Jon Ronson’s Ted Talk “When online shaming goes too far“, and the article “The dark side of Guardian comments“, people’s online behaviours can be incredibly harmful, and can escalate into dangerous and out of control situations. These guidelines essentially are to prevent these situations from arising on my site.

Against my expectations, there have been a few comments on my posts from my friends and classmates that have all been sweet and supportive. I’ve learned that blog comments are a really fun place to interact with others and trade complements and ideas, in a different way than the usual social media comment. I think this is because there is a sort of detachment from your personal life, since you can choose any name to display with your comments (on WordPress, at least). Maria Konnikova explains that anonymity encourages participation, which is further expanded on in John Suler’s discussion of facets of the online self, and I think this is demonstrated in the comments on my posts. For example, Tori Vega’s comment on Toe is Broken (Up).

Saying Farewell

And that’s it! To Dr. Norman and all my classmates, it’s been a pleasure getting to know you and making content for you to stalk. I’ve really enjoyed this class, and it’s sad to say goodbye.

Lastly, huge shoutout to Micky, who’s support means the world to me! I’m so lucky to have a TA who understands and appreciates my content posts on a personal level 😉

Alright, melatonin… officially going missing.


Basu, T. (2020, September 3). Digital Gardens let you cultivate your own little bit of the internet. MIT Technology Review. Retrieved March 2, 2023, from

Campbell, G. (2009). A Personal Cyberinfrastructure. EDUCAUSE.

Gardiner, B., Mansfield, M., Anderson, I., Holder, J., Louter, D., & Ulmanu, M. (2016, April 12). The Dark Side of Guardian comments. The Guardian. Retrieved April 11, 2023, from

Konnikova, M. (2013, October 23). The psychology of online comments. The New Yorker. Retrieved April 11, 2023, from

Ronson, J. (n.d.). When online shaming goes too far. Jon Ronson: When online shaming goes too far | TED Talk. Retrieved April 11, 2023, from

Suler, J. (2001). The Online Disinhibition Effect. The Psychology of Cyberspace.


-, H. T., By, -, Heather TaylorIcon Researcher & Blogger at Advertising Week, Taylor, H., Icon Researcher & Blogger at Advertising Week, here, P. enter your name, & -, H. T. (2020, December 21). How celestial seasonings’ sleepytime bear became a tea icon. Retrieved April 11, 2023, from

Toe is Broken (Up)

On Saturday, April 8th, news broke that Taylor Swift and Joe Alwyn have broken up after six years together, and relations between America and the UK have never been worse. According to an exclusive from Entertainment Tonight, the pair decided to amicably separate, much to the surprise of millions of fans who have spent the last six years idolizing the love that has inspired five of Swift’s albums. I mean, if the relationship that gave us “Call It What You Want” is no more, love is surely dead. Since people online got wind of the news, it’s been a debate whether it is true or not. Nevertheless, people (me) are heartbroken, and they’ve got things to say about it.

Here are my favourite tweets about the world’s most devastating break up.

Lastly, this one… if you know you know.


Melatonin’s Many Channels

This week, we learned about the importance of media across multiple channels. A classic example is Pokémon, which kevinbrittenylauren labels as “transmedia storytelling”. To create a “coordinated entertainment experience”, Pokémon is reinvented to be independently interesting in varying mediums: playing cards, television, video games, and more. As someone who grew up consuming Pokémon content, I can vouch for its success through effective transmedia innovation. I have countless memories of watching the cartoon with my brother before school, opening packs of cards and slotting them into plastic sheets in binders, and playing video games on my Nintendo DS and later on my iPhone when Pokémon Go was the biggest craze. While melatonin gone missing surely does not have the marketability and consumer potential that Pokémon does to shape-shift into different forms of media, I wonder what my blog look could look like across multiple channels.

An App

Graphic of various app logos coming out of a phone screen.

A melatonin gone missing app certainly feels like the most conceivable and relevant channel that melatonin gone missing could thrive on. Like any news app or blog app, users would be able to browse the app to read posts, comment and interact, and consume visual media on a more consistent and higher quality platform than in a desktop or mobile browser.

I imagine designing this app would be really fun. It would be open to regular revamps, giving the site more ways to grow. If I ever chose to expand melatonin gone missing, I would definitely go for an app first.

A Podcast

Graphic of a microphone and black headphones against a turquoise background.

In grade 12, my best friend and I had a podcast to commemorate our final year of high school. It gained more traction than we expected, as a good chunk of our grad class and other close friends who went to other schools listened and supported our podcast on Spotify, Apple Podcasts, and other platforms. People were even asking us to appear on guest episodes, which was awesome. With this experience on how to record, edit, and promote a podcast, I have faith that melatonin gone missing could be great in podcast form.

I envision it would just be me and sometimes a guest, discussing various topics that would definitely be in a content post. Spending 30 minutes to an hour chatting about things like Taylor Swift, TV shows, celebrities, and everything and anything else would be fun to record and hopefully a fun listen for loyal site visitors who wants an eyes-free, hands-free, giggle-infused version of the blog.

Plus, to keep it on theme, episodes could be recorded late at night, to really capture the half-delusional essence of melatonin gone missing.

Social Media

Graphic of three hands holding phones with bubbles including likes, comments, reviews, and more.

Lastly, if melatonin gone missing were to truly thrive outside of its browser domain, social media accounts would be crucial for online presence, legitimacy/trustworthiness, and overall growth- both in and of itself, and to new audiences. Instagram, Twitter, and Tiktok would probably be the main three social channels that could effectively promote the blog (and the app/podcast!) and gain a fanbase, sponsorships, and general public interest. That is to say, melatonin gone missing would blow up the internet!

As Bryce J. Renninger says, users “[choose] a platform informed by their personal tastes as well as wider social trends and practices”. So, these social media platforms clearly reflect current trends around how people communicate and share media online, and would therefore be very effective in contributing to audience outreach for my blog.

So to wrap up, if my blog lives on past the end of PUB 101, keep your eyes peeled on Spotify, the App Store, and your favourite social media platforms for the evolution of melatonin gone missing!


Renninger, B. J. (2015). “Where I can be myself… where I can speak my mind”: Networked counterpublics in a polymedia environment. New Media & Society, 17(9) 1513–1529.

Whippersnappers, B. is for. (2013, November 21). Pokemon as transmedia storytelling. Retrieved April 10, 2023, from


Kee, E. (2023, February 7). Download now! free android & IOS apps of the week. NextPit. Retrieved April 10, 2023, from

Podcasting 101: Getting your podcast out there. West Vancouver Memorial Library. (2023, January 27). Retrieved April 10, 2023, from

Staff, S. (2022, August 17). 1044% increase in social media account hijacking. Security Magazine RSS. Retrieved April 10, 2023, from

Web and multimedia blogs. BLOGS | Touro GST. (n.d.). Retrieved April 10, 2023, from

Miraculous(ly) Awakening

(Alternative title: melatonin gone missing meets her match)

As any and all fans of Miraculous Ladybug know, the feature-length film Ladybug & Cat Noir Awakening is on the horizon. If you’re unfamiliar with the Miraculous franchise, check out my post The Love Square: Explained for an in-depth crash course before reading on.

This movie, which has been in production since roughly 2018-2019, showcases Marinette and Adrien’s emergence as Ladybug and Cat Noir, respectively. Long-time fans are excited to see their favourite superheroes on the silver screen, in an animation style that is a major step up from the television series. Every glimpse of this movie- whether it be a tiny pixelated screenshot of a frame that was noticed from a photo in the production studio, or a full Instagram story video of a massive orchestra recording the score- has been posted, shared, and freaked-out-about over the past few years. However, these exciting tidbits are beginning take a more substantial form, and Ladybug & Cat Noir Awakening is finally starting to feel real.

Earlier today, the official English trailer released (after multiple teasers in various languages) and fans got their first spoonful of this new Miraculous world, featuring beloved Bryce Papenbrook (English voice actor for Cat Noir/Adrien) and Cristina Vee (English voice actor for Ladybug/Marinette). Watch the trailer below.

Hopefully, fans don’t have to be in anticipation for much longer, given the trailer’s very specific release date: “This Summer”. I simply can’t wait to be in a theatre full of children who are most certainly not as emotionally involved as me, a nineteen year old girl who is halfway through her undergraduate degree.

Until that day arrives, bug out!


Peer Review #3 – Jellylift

For this peer review, I was delighted to find out I would be looking at Antalya’s blog, cleverly called Jellylift, for a couple reasons: 1) I’ve worked with Antalya in previous courses– she’s lovely!, and 2) I am also a hardcore Jellycat fanatic. I mean, what better way to spend (way too much of) your adult money on stuffed animals? (See my prized possession on the Indigo website.) So, when prompted about how Jellylift markets to their intended audience, I immediately think “well… that’s me!” Before getting into the marketability portion of this peer review, I’m first going to dig further into Antalya’s intended audience.

Who (else) Is the Intended Audience?

From the name “Jellylift” and also the About page, it is very clear that this blog is dedicated to two things and two things only: weightlifting and Jellycats. Side note: I have to add to the pre-existing compliment pile for this super awesome juxtaposition– it’s super awesome. Individually, both weightlifting and Jellycats have their own passionate counterpublics, a term discussed by Michael Warner. So, it seems that these groups make up Antalya’s intended audience. 

I know that the gym community, both online and in real life spheres, is quite a tight-knit and supportive counterpublic, usually circulating discourse around tips on form, advice on the best pre-workouts, flexing their personal bests, etc. (Is it painfully obvious that I’m absolutely NOT a member of this counterpublic?) On the other hand, the Jellycat counterpublic is bonded through obsessing over and collecting the cutest, softest plushes on the planet. Check out the Jellycat website to see for yourself.

So, Jellylift is clearly a hub for members of both of these counterpublics to enjoy. However, by combining the two comically different interests, Antalya may be single-handedly creating a whole third counterpublic through Jellylift– a counterpublic consisting of those who love to sweat and pump major iron AND embrace their inner child with cuddly toys. 

I’ve talked a lot about these people who surely would love Jellylift, but how exactly does Jellylift market to them to solidify this love?

Marketability Through Content and Design

I have determined that both the weightlifting and Jellycat counterpublics are part of Antalya’s intended audience, but this is not to say that you have to be a part of both / Antalya’s up-and-coming third counterpublic to be a Jellylift enjoyer. Take me, for example, who a) would rather die than step into a public gym, but b) has no problem dropping $40 on a hand-sized stuffed cauliflower with legs, and c) loves Jellylift. Antalya does a great job of balancing content about both interests– check out her content categories for Lifting and Jellycats– while keeping them separate enough for pure lifters and Jellycat lovers to enjoy one and not the other. This is important as it opens the door for more (regular) site visitors– I’m not sure the same effect would be achieved if Antalya’s content posts each featured an integration of both interests. 

Additionally, the overall ironic and casual tone used across Jellylift makes the content clearly suitable for Antalya’s audience, or at least a subsection of them. She talks about how Jellycat lovers and weightlifters could be generalized into a “youth” demographic in her process post Knock Knock… Who’s There? Antalya’s style of writing definitely sells to this demographic perfectly, as the language she uses is very Gen-Z-friendly, with dry humour, lowercase titles, and expletives used (tastefully and quirkily) in every post.

Jellylift’s blog design also contributes to supporting its marketability to these intended audiences. At first glance, the pastel text against the rich chocolate brown background is definitely not a conventional website colour palette, but it is undeniably aesthetically pleasing to the youthful eye. Jellylift is also very easy to navigate with the clearly-labelled menu, systematically organized and categorized posts, and use of tags. Although Antalya loves to use a fun title for her posts– such as “What the F**k is Content?”– all her posts can easily be located, and are additionally very readable and scannable due to her use of headers and links. All of these elements, according to our PUB 101 Week 10 lecture material, are ingredients for good SEO. And, according to Sam Hollingsworth, having a good SEO is extremely beneficial for marketability. He further explains how site performance suffers if these elements are missing, but Antalya’s got it covered.

Summing Up

Overall, Antalya’s content and design of Jellylift is all noticeably intentional and carefully executed, which evidently pays off in its marketability as well as user-satisfaction (cite: me). I can’t wait to keep up with Jellylift and see what Antalya has up her sleeve for the rest of the semester!

Bonus Content: A Short Response to Antalya’s Peer Review

If you aren’t Antalya, this peer review post ends here. Thanks for reading! If you ARE Antalya, keep scrolling.

Hi Antalya! I enjoyed your peer review for my blog so much I just had to respond to it here. Thank you for the kind words, I truly am so flattered that someone I admire so much academically and personally likes melatonin gone missing! I am obsessed with the justgirlythings posts you pulled for me, truly thank you so much. melatonin gone missing feels so seen. Keep your eyes peeled for when those make their appearance on the blog.

Me and you after our peer reviews:

Two buff guys, with their arms around each other, flexing for the camera at the gym.


Hollingsworth, S. (2021, August 9). 15 reasons why your business absolutely needs seo. Search Engine Journal. Retrieved March 29, 2023, from

Norman, S. (2023). Data and SEO [PowerPoint Slides]. Department of Publishing, Simon Fraser University.

Warner, M. (2002). Publics and Counterpublics (abbreviated version). Quarterly Journal of Speech, 88(4), 413-425. 

Analytics and SEO: The Real Stuff

This week in PUB 101, we got to revisit Google Analytics. I installed this plugin for my blog in the first or second week of this course, but had yet to look at the data, so I was intrigued to see what kind of activity had been tracked on melatonin gone missing so I know what’s working and what could be improved in regards to my site’s SEO.

Google Analytics

The first thing I looked at, purely out of my own curiosity, is my audience overview. I wanted to see exactly how many people have checked out my blog.

Audience overview graphs from Google Analytics.

From this graphic, I can see that melatonin gone missing has been visited by 151 new users and accumulated 640 total page views. Seeing this data and knowing that my blog has only existed for a few months is honestly quite amazing… I feel like a real website owner! The number of users on my site regularly fluctuate, and I could guess this is because I usually only post once a week, attracting the most traffic which then decreases until my next posts are up the following week.

I also was curious about user acquisition, because after all, this is only a blog for an SFU course… who’s finding it besides my TA, professor, and classmates? And how are they finding it?

User acquisition data from Google Analytics.

It’s interesting to see how users have come from social media sites like Facebook and Instagram, considering I have personally not linked my blog to either of those sites. The direct and google channels are probably mostly me, and the Posiel channel appears because my posts are connected to the Posiel feed, so these are unsurprising. Users have come from Jellylift as well, thanks to Antalya’s links in her peer review of melatonin gone missing (go check it out!).

Seeing that visitors really do come from social media and external links demonstrates how important a good and continuously improving SEO is for site traffic. Sam Hollingsworth explains this further, saying how having a good SEO is “the most viable and cost-effective way to both understand and reach customers in key moments that matter”. For melatonin gone missing, this means being accessible and easily usable for my target audiences, which I identify in my Imaginary Audiences post. I want my audience to find my blog in a pinch!

Growing my SEO

To improve my site’s SEO, as it is evidently quite important, I will aim to do things that Dr. Norman calls “ingredients for a good SEO”. Some of these things include effective use of keywords, including strong headers in your posts, and having outbound links to reliable sources. Although I strive to include all of these elements in my weekly posts, there are always ways to aim higher and ensure my SEO is being considered in every aspect of my blog design/content.

Stay tuned to see melatonin gone missing skyrocket in SEO success!


Hollingsworth, S. (2021, August 9). 15 reasons why your business absolutely needs seo. Search Engine Journal. Retrieved April 10, 2023, from

Norman, N. (2023). Data and SEO [PowerPoint Slides]. Department of Publishing, Simon Fraser University.


Joyce, J. (2021, February 20). 10 great google analytics alternatives. Search Engine Journal. Retrieved April 10, 2023, from

My Favourite Fictional Man Has A Tail

Yes, you read that correctly.

In high school, my friend and I founded a book club, where we read a book every couple weeks and assembled to discuss it. Nothing crazy or out of the ordinary for a book club. However, this club changed my life because from it, I was introduced to one of my favourite series of all time: The Folk of the Air by Holly Black. Spoilers ahead.

Before reading this series, I was a proud non-fantasy reader. It was just never really my thing, I never even read Harry Potter when I was younger like every other kid. Instead, I stuck by YA fiction, always with romance. However, when the book chosen is by majority vote in our book club, I can’t really refuse. So, begrudgingly and honestly, with some difficulty, I forced my way through the first book of the series, The Cruel Prince. While reading, I remembered why I rarely ever gave the fantasy genre a shot. Made-up, silly sounding words filled the pages, and there were so many characters with similar sounding names that I could barely manage to follow the plot. If I skipped a page, I would miss crucial lore that seemed to be important, yet I couldn’t will myself to carefully read each word and comprehend what was going on in these immortal faes’ histories. Nevertheless, almost nearing the end of the book, I started to become interested in what was going on. Why? It was the scene where Carden, our careless, cruel prince (hah) was strapped into a chair with a dagger held to his neck by our protagonist mortal girl Jude, in a den of spies. Finally, after years of torment by him and his faerie friends, she was in complete control over her enemy and the throne. That’s right, the foundation of an enemies-to-lovers plot was building, and I was hooked.

By the end of the book, not much else had happened to further any potential romance between Jude and Cardan. Still, I was just intrigued enough to know what was in store for them that I told myself I would read the next book in the series.

Fast forward, and I’m reading The Wicked King and right from the get-go, I’m sat and invested. The Cruel Prince left us with Cardan as the king, and Jude as his secret puppeteer. Now, Jude is his seneschal and figuring out her place next to the throne while also holding all the power behind it. Through sly-tongued interactions between Jude and Cardan, we can sift through cruelties and riddles to find that perhaps Cardan feels more than just disdain towards Jude, and through her POV we know that she definitely does, although she refuses to confront this fact. Halfway through the book, Jude gets abducted and taken prisoner in the Undersea, and Jude is forced to realize what she feels for him and her life above the surface. And when she returns because of Cardan’s desperation to get her back, we finally see something between the two of them that is more than just between the lines. This inkling of hope doesn’t last long, when Cardan exiles Jude to the mortal world at the end of the book, and every shred of anything Jude ever felt for him other than pure hatred disintegrated on the spot.

As you could’ve guessed, at this point, I’m on my knees for this series. I’m enthralled by Jude and Cardan’s “two steps forward, three steps back” love and hate dynamic, as well as all the other subplots happening alongside them. Specifically, Jude’s personal journey of self-discovery, perseverence, and ambition in a world full of people who are different and better than her makes her undeniably my #1 favourite female book protagonist.

Back to the plot though, we’re onto the third and final installation, The Queen of Nothing. Oh, did I forget to mention? Before Jude’s shocking exile for killing Cardan’s last living brother, she and Cardan exchanged vows and she became none other than the Queen of Elfhame. A mortal queen, nonetheless, and the very first one. While this marriage could be narrowed down to mere practical and mutually-beneficial reasons, it is completely clear that when Jude and Cardan become wed, they do so under a veil of love for each other. A major win for the readers! Except now Jude is back in the mortal world, exiled and seething. It doesn’t take long until she risks it all and returns to pretend to be her twin sister in a murder trial (her sister is absolutely guilty… a win for rage-filled women everywhere!). Cardan, knowing her better than she thinks, catches Jude immediately and confronts her in his chambers, asking what took her so long (whaaaaat?). Before they’re able to get into the nitty gritty, Jude is once again taken away and does not return until much later, where Cardan is under the impression that she’s arrived to execute him. This turns out to be a miscommunication and a trap that Jude walks into herself, as civilians still believe she should be in exile and immediately are prepared to kill her. Fear not, all is sorted once Cardan exclaims, to pretty much all of Elfhame, that Jude is not in exile, but rather is his wife and their rightful Queen.

Now that Jude is properly on the throne, politics ensue and disaster strikes once Cardan falls under a curse and turns into a great serpent. (If you’re still with me at this point, you deserve a pat on the back. If you’re not, I don’t blame you. This sounds ridiculous, but I swear if you know you know.) Just before this, Cardan recites the most beautiful love confession you will ever see in a book.

“It’s you I love,” he says. “I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn’t have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.” He walks to the door to the royal chambers, as though to end the conversation. “You probably guessed as much,” he says. “But just in case you didn’t.”

Holly Black, The Queen of Nothing

Before Jude gets a chance to respond, Cardan is lost to his serpent form and it seems that the curse is unbreakable. Wracked with fear, guilt, anger, sadness, and love, Jude deliberates what to do with him and nearly makes many poor decisions. In the end, however, she knows that the only choice that would truly be out of love is to let him go. Against the nation’s expectations and wishes, she slays the serpent, and you know who walks right out of its carcass? Everyone’s favourite cruel prince. While this whole story unfolds, cryptic riddles and intricate prophecies are at work, and it is in this moment when everything clicks and all makes sense. If you read this book for any reason, I would recommend it for this puzzle-y element of the book. It truly makes the story unlike anything I’ve ever read before.

So, Jude and Cardan are reunited, and as she promised to herself while he was gone, she confesses how she really feels. Finally, after hate, lust, and loss, the king and queen finally get a chance to be truthful to each other and be together.

And that is pretty much where the trilogy leaves us. It’s a little more and a little less than a simple “happily ever after” ending, with the remaining effects of everything that happened still fresh and left on a note that leaves readers both satisfied and aching for more of Elfhame’s stories.

Luckily, Holly Black heard this ache, and has since released the first of her new duology, centered on Jude’s little half-brother who is on his way to the throne, but not before he has his childhood unlike Jude whose was ripped from her grasp far too young.

Check out all of Holly Black’s books. You will NOT regret it.

Oh, wait. I never talked about the tail. I guess now you’ll really have to check out these books.

Artificial Intelligence

AI is on a rapid rise in education. Professors and educators have been banning new softwares like ChatGPT and Dall-E with the fear that students will use them to plagiarize entire assignments and diminish critical thinking. However, the use of these technologies is inevitable and increasing in various everyday circumstances. As educational institutions continue banning them, they will just get more and more advanced, which means that at some point, we’ll all have to cope with them somehow. So this week, I tried out two of these technologies: ChatGPT and Dall-E, and found a few ways students might positively use it in the classroom.

What is ChatGPT?

ChatGPT is an AI software developed by OpenAI that is meant to generate almost-immediate, conversational responses to questions, prompts, and commands. It launched to the public in November 2022, and since then has been a topic of discourse in academia, ethics and technology, and general interest of the common person with free time and internet connection. Its impressive technology allows the responses to be detailed, articulate, and generally factually correct. User input also helps craft desired outputs, as the AI can “learn” and tailor its responses to reflect feedback and critiques. As mentioned, ChatGPT has faced rejection from educators and institutions with its negative implications for students, but there are ways that ChatGPT can be effectively implemented to aid learning and expression.

Idea Generation

Writer’s block is pretty inevitable for any class, especially PUB 101, where I write two or three posts a week. With a simple prompt, ChatGPT can generate ideas to take inspiration from for essays, assignments, and blog posts. This could yield excellent results, as each student would be able to spend more time on the execution of their project, rather than spending time brainstorming ideas that are often too simple to accurately and rigorously demonstrate their learning. To bypass the possible concern that this would limit creative thinking and be a case of plagiarism, I must clarify that in fleshing out projects from a mere concept to execution still requires a lot of creative thinking, and by referencing the software’s assistance it would steer clear of plagiarism claims since the ideas would in a sense still be the student’s own based on the prompt and information fed. 

Keyword Generation

In PUB 101, I’ve learned that inputting keywords in posts is extremely important. They help improve the SEO and my website’s reach. ChatGPT could effectively help generate some of these keywords to benefit each post on my blog. So, I decided to type the following into ChatGPT: what are some keywords to include in a blog post about reviewing Taylor Swift’s album “folklore”? Here’s what it generated.

A ChatGPT response to the prompt "what are some keywords to include in a blog post about reviewing Taylor Swift’s album “folklore”?"

What is Dall-E?

Dall-E is an AI software, also developed by OpenAI, that generates complex creative images from text prompts. Prompts can include things like recreating individual artists’ styles, using various art mediums, and ultimately absurd visuals that one would not expect to see in one image. Like ChatGPT, the use of Dall-E has been a controversial topic. Specifically, when is it ethically permissible to use it, especially in academic contexts? 

Creating Visual Interest

My content posts often use a lot of images from the internet. While this is useful in many cases, especially for posts that take on a more editorial-style, I think that adding pictures created from DALL-E could enhance the personalization of my posts. It could make the blog reflect me and my own personality instead of always relying on other people’s pictures and using generic-looking stock photos. For example, my post about crocheting could have included Dall-E pictures to create added entertainment, visual interest, and personality.

Oil painting of girl crocheting.
Dall-E generated image using the prompt “an oil painting of a girl learning how to crochet”.

Citing and Copyright?

Since ChatGPT is such a novel tool, traditional citation styles have yet to cohesively come up with solutions for ways students should properly credit the use of the technology in their work. However, as a student and a blog-owner, citing your sources is a critical step in ethical academia and success. Suggestions have been made for citation style from APA, for example, an online library guide for a university suggests, “This technology is new and we are all learning about generative AI resources and how to ethically use them. Consider making the ChatGPT conversation retrievable by including the text as an appendix or as online supplemental material.”

But then again, would we even need to credit the model if it’s not really taking from other people’s ideas? If things are written by ChatGPT, who owns the copyright? The human who generated the prompt, or the creators of the model? Only time will tell.


Antonelli, W. (n.d.). How to use dall·e 2 and Craiyon, the AI art tools that can generate images from any text prompt. Business Insider. Retrieved March 23, 2023, from

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A Biased Review of The Eras Tour Set List

Last Friday (March 17, 2023), Taylor Swift kicked off the US leg of The Eras Tour with a bang. The show was highly commended by fans all around the world tuning in through social media, and also in major press reviews, such as Rolling Stone and The New York Times. The 3-hour show, split up into Swift’s 10 album eras from the past 17 years, clearly demonstrates her unmatched excellence in stage performance, and her love and dedication to her fans. Each era consisted of fan-favourite songs, stunning visuals and costumes, and jaw-dropping choreography. The concert attendees have said nothing but positive reviews on their experiences, which included watching the openers (Paramore and GAYLE), buying merch, and screaming along to their favourite current and nostalgic songs.

While I personally have little to no critiques to give on the show overall, and seeing the Glendale, AZ shows have only made me more impatient for the Seattle shows I’m attending, there are of course (probably controversial) changes I would make to the set list based purely on my own personal preferences. In a hypothetical world where she could realistically sing and dance for 8 hours straight, there are so many songs I would add to the set. Let’s get into some of them, era by era.

Taylor Swift

Taylor Swift sitting at a piano in a fuchsia dress on a stage with a packed crowd in the background.

Songs performed:

  • NONE 🙁

Songs I wish she would perform:

  • Our Song
  • Teardrops On My Guitar
  • Should’ve Said No


Taylor Swift dancing in a tasseled gold dress holding a microphone her mouth, on a stage with a mega-screen behind her.

Songs performed:

  • Fearless
  • You Belong With Me
  • Love Story

Songs I wish she would perform:

  • The Way I Loved You
  • The Other Side Of The Door

Speak Now

Taylor Swift standing on stage in a large sparkly pink ball gown, holding a microphone in her hand.

Songs performed:

  • Enchanted

Songs I wish she would perform:

  • Mine
  • Back To December
  • Dear John
  • Mean
  • The Story Of Us
  • Better Than Revenge
  • Haunted
  • Long Live


Taylor Swift dancing on stage in a Red-era themed outfit with a microphone held up to her mouth, and background dancers dressed in monochrome red outfits behind her.

Songs performed:

  • 22
  • We Are Never Ever Getting Back Together
  • I Knew You Were Trouble
  • All Too Well (10 Minute Version)

Songs I wish she would perform:

  • Red
  • Holy Ground
  • Begin Again
  • Come Back…Be Here


Taylor Swift dancing on stage in a 1989-era themed outfit with a microphone held up to her mouth, and background dancers in matching outfits pose behind her.

Songs performed:

  • Style
  • Blank Space
  • Shake It Off
  • Wildest Dreams
  • Bad Blood

Songs I wish she would perform:

  • Out Of The Woods
  • I Know Places
  • This Love
  • Clean
  • You Are In Love
  • New Romantics


Taylor Swift singing on stage in an asymmetrical body suit with snake decals, with red lights in the background.

Songs performed:

  • …Ready For It?
  • Delicate
  • Don’t Blame Me
  • Look What You Made Me Do

Songs I wish she would perform:

  • I Did Something Bad
  • Getaway Car
  • King Of My Heart
  • Dancing With Our Hands Tied
  • Dress


Taylor Swift smiling on stage in a rhinestoned bodysuit, holding a microphone.

Songs performed:

  • Miss Americana & The Heartbreak Prince
  • Cruel Summer
  • The Man
  • You Need To Calm Down
  • Lover
  • The Archer

Songs I wish she would perform:

  • Paper Rings
  • False God
  • Afterglow
  • Daylight


Taylor Swift standing in a house-like structure made of wooden planks and covered in moss on a stage, in a purple flowy dress singing into a microphone. The set is dimly lit with warm, dark colours.

Songs performed:

  • invisible string
  • betty
  • the last great american dynasty
  • august
  • illicit affairs
  • my tears ricochet
  • cardigan

Songs I wish she would perform:

  • seven
  • mirrorball
  • this is me trying


Taylor Swift on stage smiling while playing a piano covered in moss.

Songs performed:

  • tis the damn season
  • willow
  • marjorie
  • champagne problems
  • tolerate it

Songs I wish she would perform:

  • gold rush
  • ivy
  • cowboy like me
  • right where you left me


Taylor Swift performing on stage, holding a microphone with one foot up on a chair and wearing a sparkly blue/black bodysuit with dancers behind her in the same pose.

Songs performed:

  • Lavender Haze
  • Anti-Hero
  • Midnight Rain
  • Vigilante Shit
  • Bejeweled
  • Mastermind
  • Karma

Songs I wish she would perform:

  • Question…?
  • The Great War
  • Would’ve, Could’ve, Should’ve


Aramesh, W. D. (2023, March 18). Taylor Swift’s The Eras Tour is a 3-hour career-spanning victory lap. Rolling Stone. Retrieved March 23, 2023, from

Caramanica, J. (2023, March 18). Taylor Swift, pop’s maestro of memory, returns to the stage. The New York Times. Retrieved March 23, 2023, from


Aramesh, W. D. (2023, March 18). Taylor Swift’s The Eras Tour is a 3-hour career-spanning victory lap. Rolling Stone. Retrieved March 23, 2023, from

Breaking down Taylor Swift’s ‘eras’ tour wardrobe – fashionista. (n.d.). Retrieved March 23, 2023, from

Courtneypochinmirror. (2023, March 18). Taylor Swift’s full setlist for the eras tour – and it’s bound to divide fans. mirror. Retrieved March 23, 2023, from

Iasimone, A. (2023, March 20). All the surprise songs Taylor Swift has performed on the eras tour (so far). Billboard. Retrieved March 23, 2023, from

Lutkin, A. (2023, March 22). All about Taylor Swift’s Eras Tour setlist and Outfit changes. ELLE. Retrieved March 23, 2023, from

Rudner, D. (2023, March 19). Photos: Taylor Swift Kicks Off ‘eras tour’ in Fine Fashion. News. Retrieved March 23, 2023, from

Staff, A. O. L. (2023, March 20). Here are all the outfits Taylor Swift has worn on her eras tour (so far). Click here to refresh. Retrieved March 23, 2023, from