As of August 2017, Nickelodeon has hosted a brand new series to add to its roster of animated content. Mysticons emerged quietly into the television scene without much of a heads up, but has been gaining plenty of online attention as of late.
Produced by Nelvana and Corus Entertainment—two Canadian production companies specializing in children’s programming, specifically animation—has created a series that could potentially become a hit in the world of online cartoon fandoms. The series surrounds a group of four teenagers, Arkayna, Piper, Emerald, and Zarya, who are brought together through a acquisition quest for the “Dragon disk”, an ancient artifact that is held in the royal ranks of Drake City. This artifact has caught the eye of evil perpetrators who would like to use it’s power to revive a previous overlord. The four girls are unexpectedly granted powers from the disk and are bestowed the unsolicited role of protecting their home from evil entities.
The first episode titled Sisters in Arms provides a solid foundation for the series. The first minute into the episode takes a dive into Drake City and many of its elements. The setting seems to be a combination of futuristic and fantasy, mixing hover vehicles with urban city life that is occupied by pixies, dwarves, and other inhumans alongside regular people. It makes for a very refreshing world with the early promise of extensive expansion.
A detail in showcasing Drake City that is very appealing is that the setting does not shy away from social divides. Piper and Zarya are part of a class called the Underdwellers—a population in the city that is plagued my misfortune and poverty, to the point where Piper and Zarya have to risk imprisonment just to steal food for some of the other inner city kids in their community. Of course in being a child-targeted series, this point was not strongly emphasized and the visualization of poverty wasn’t striking in the slightest, but including portrayals of social divides in any series targeted at young people displays a very realistic rendition of almost every region.
The four main protagonists share a very unique dynamic. Rather than none of the characters or all of them knowing each other prior to their unexpected earning of the “Mysticons” title, they can be separated into two different groups. Piper and Zarya being Underdwellers and Arcadia and Emerald being part of the royal family in some capacity. This is likely to become a point of conflict throughout the season as each pair comes from a completely different background. Seeing the social divide play out in the Mysticons’ team dynamic would be very entertaining, realistic, and something that would definitely add depth to their relationship with one another.
The character designs of the series also stands out. There is plenty of creativity in how the characters look in civilian attire versus their post-transformation suits. Their weapons of choice are also unique to each of the four protagonists. And the details of their hair and clothing does a solid job of encapsulating each of the girls’ personalities (e.g. Piper’s eccentric and lively personality paired with her three pigtails and golden hoops as weapons making up her hero look).
Mysticons’ animation is also quite different from the modern-day norm. The series uses 2D computer animation, with an attempt to make it appear somewhat hand drawn. I’ve brought up the budgeting issues that Canadian content is often plagued by (read this post for more information), so fir a Canadian-produced cartoon, I applaud its animation; however, in comparison to American-produced content that is currently airing, I believe that hand drawn animation would be much better suited. Although many avid animation fans would argue that hand drawn beats Flash, ToonBoom, and other computer-created 2D formats every single time, I strongly disagree with this statement. Series like Star Vs. the Forces of Evil and Gravity Falls utilize modern animation techniques really well (in combination with traditional animation at times). Mysticons, however, loses out on this type of animation given it’s heavy action scenes and plot-driven story—which are typically paired with traditional animation (e.g. The Legend of Korra, Voltron, Steven Universe etc.). The movements are similar, yet much more fluid, to the Canadian series Detentionaire. So although the series can benefit from higher-quality animation, at least it is a step up from other Canadian works.
Overall, Sister in Arms presents a solid start to the series, laying out the premise and introducing the main characters quite well. Plenty happened during this episode making it feel surprisingly long for a 20-minute episode. My main concern with the series moving forward is that it might be jumping into the plot a little bit too quickly. The pacing might become a little bit too quick to fully enjoy, or even grasp the story. As for the dialogue, the jokes can be a hit or miss, but overall it’s clear to see that the creative team behind the show has put a lot of heart into it.
Finally, the theme song is very upbeat and catchy. It gives off a similar tone as that of Totally Spies, except it is an original song created specifically for the series. Additionally, another track played near the end of the episode which was also quite good. Together the provide plenty of promise for the remainder of the series’ soundtrack.
Although it’s too early to tell whether or not this series will be a hit, it is definitely one of the higher-quality cartoons to come out of Canada. Additionally, if the series is successful, and seeing that Playmates Toys is a producer of the series, the characters and premise of the series have amazing potential for merchandise creation.
A/N: It’s passed midnight right now, but I just wanted to release this post into cyberspace as soon as I finished typing it out. I will definitely revisit it tomorrow to fix some of the poor language choices and descriptions. Let me know what you think of the series!